Indirect illumination (GI)
Approaches to indirect illumination
Primary and secondary bounces
Approaches to indirect illumination
V-Ray implements several approaches for computing indirect illumination with different trade-offs between quality and speed:
- Brute force - this is the simplest approach; indirect illumination is computed independently for each shaded surface point by tracing a number of rays in different directions on the hemisphere above that point.
- this approach preserves all the detail (e.g. small and sharp shadows) in the indirect lighting;
- it is free from defects like flickering in animations;
- no additional memory is required;
- indirect illumination in the case of motion-blurred moving objects is computed correctly.
- the approach is very slow for complex images (e.g. interior lighting);
- it tends to produce noise in the images, which can be avoided only by shooting a larger number of rays, thus slowing it even more.
- Irradiance map - this approach is based on irradiance caching; the basic idea is to compute the indirect illumination only at some points in the scene, and interpolate for the rest of the points.
- the irradiance map is very fast compared to direct computation, especially for scenes with large flat areas;
- the noise inherent to direct computation is greatly reduced;
- the irradiance map can be saved and re-used to speed up calculations of different views for the same scene and of fly-through animations;
- the irradiance map can also be used to accelerate direct diffuse lighting from area light sources.
- some details in indirect lighting can be lost or blurred due to the interpolation;
- if low settings are used, flickering may occur when rendering animations;
- the irradiance map requires additional memory;
- indirect illumination with motion-blurred moving objects is not entirely correct and may lead to noise (although in most cases this is not noticeable).
- Photon map - this approach is based on tracing particles starting from the light sources and bouncing around the scene. This is useful for interior or semi-interior scenes with lots of lights or small windows. The photon map usually does not produce good enough results to be used directly; however it can be used as a rough approximation to the lighting in the scene to speed the calculation of GI through direct computation or irradiance map.
- the photon map can produce a rough approximation of the lighting in the scene very quickly;
- the photon map can be saved and re-used to speed up calculation of different views for the same scene and of fly-through animations;
- the photon map is view-independent.
- the photon map usually is not suitable for direct visualization;
- requires additional memory;
- in V-Ray's implementation, illumination involving motion-blurred moving objects is not entirely correct (although this is not a problem in most cases).
- the photon map needs actual lights in order to work; it cannot be used to produce indirect illumination caused by environment lights (skylight).
Light cache - light caching is a technique for approximating the global illumination in a scene. It is very similar to photon mapping, but without many of its limitations. The light map is built by tracing many many eye paths from the camera. Each of the bounces in the path stores the illumination from the rest of the path into a 3d structure, very similar to the photon map. The light map is a universal GI solution that can be used for both interior or exterior scenes, either directly or as a secondary bounce approximation when used with the irradiance map or the brute force GI method.
- the light cache is easy to set up. We only have the camera to trace rays from, as opposed to the photon map, which must process each light in the scene and usually requires separate setup for each light.
- the light-caching approach works efficiently with any lights - including skylight, self-illuminated objects, non-physical lights, photometric lights etc. In contrast, the photon map is limited in the lighting effects it can reproduce - for example, the photon map cannot reproduce the illumination from skylight or from standard omni lights without inverse-square falloff.
- the light cache produces correct results in corners and around small objects. The photon map, on the other hand, relies on tricky density estimation schemes, which often produce wrong results in these cases, either darkening or brightening those areas.
- in many cases the light cache can be visualized directly for very fast and smooth previews of the lighting in the scene.
- like the irradiance map, the light cache is view-dependent and is generated for a particular position of the camera. However, it generates an approximation for indirectly visible parts of the scene as well - for example, one light cache can approximate completely the GI in a closed room;
- like the photon map, the light cache is not adaptive. The irradiance is computed at a fixed resolution, which is determined by the user;
- the light cache does not work very well with bump maps; use the irradiance map or brute force GI if you want to achieve better results with bump maps.
- lighting involving motion-blurred moving objects is not entirely correct, but is very smooth since the light cache blurs GI in time as well (as opposed to the irradiance map, where each sample is computed at a particular instant of time).
Spherical Harmonics - this approach is based on rendering light information, already precomputed in *.vrsh file by spherical harmonics baking engine. This method is suitable for flight-through animations or animations with changing environment. It is applicable to open scenes only. For more information see Spherical Harmonics Baking Engine.
- this method produces smooth result (no noise at all).
- spherical harmonics are saved to file and could be used to speed up the calculations in flight-through animations and animations with per frame changing environment.
- it is view-independent method.
- this method is not suitable for high frequency lighting.
- it can's be used for closed scenes.
- it could produce unwanted artifacts on closely placed surfaces, due to their coarse subdivision.
- it captures diffuse indirect illumination only
Which method to use? That depends on the task at hand. The Examples section can help you in choosing a suitable method for your scene.
Primary and secondary bounces
The indirect illumination controls in V-Ray are divided into two large sections: controls concerning primary diffuse bounces and controls concerning secondary diffuse bounces. A primary diffuse bounce occurs when a shaded point is directly visible by the camera, or through specular reflective or refractive surfaces. A secondary bounce occurs when a shaded point is used in GI calculations.
On - turn indirect illumination on and off.
Reflective and Refractive Caustics
GI caustics represent light that has gone through one diffuse, and one or several specular reflections (or refractions). GI caustics can be generated by skylight, or self-illuminated objects, for example. However, caustics caused by direct lights cannot be simulated in this way. You must use the separate Caustics section to control direct light caustics. Note that GI caustics are usually hard to sample and may introduce noise in the GI solution.
Refractive GI caustics - this allows indirect lighting to pass through transparent objects (glass etc). Note that this is not the same as Caustics, which represent direct light going through transparent objects. You need refractive GI caustics to get skylight through windows, for example.
Reflective GI caustics - this allows indirect light to be reflected from specular objects (mirrors etc). Note that this is not the same as Caustics, which represent direct light going through specular surfaces. This is off by default, because reflective GI caustics usually contribute little to the final illumination, while often they produce undesired subtle noise.
On - enables the ambient occlusion pass
Multiplier - a multiplier for the effect of the ambient occlusion
Radius - this parameters determines the amount of area (in scene units) where the ambient occlusion effect is produced.
Subdivs - controls the number of samples that V-Ray takes to calculate the ambient occlusion effect. Lower values render faster but produce a more noisy result.
Primary Engine - the list box specifies the method to be used for primary diffuse bounces.
Irradiance map - selecting this will cause V-Ray to use an irradiance map for primary diffuse bounces. See the Irradiance map section for more information.
Photon map - selecting this option will cause V-Ray to use a photon map for primary diffuse bounces. This mode is useful when setting up the parameters of the global photon map. Usually it does not produce good enough results for final renderings when used as a primary GI engine. See the Global photon map section for more information.
Brute force - selecting this method will cause V-Ray to use direct computation for primary diffuse bounces. See the brute force GI section for more information.
Light cache - this chooses the light cache as the primary GI engine. See the Light cache section for more information.
Spherical Harmonics - this chooses the spherical harmonics as the primary GI engine. See the Spherical Harmonics GI Engine section for more information.
Multiplier - this value determines how much primary diffuse bounces contribute to the final image illumination. Note that the default value of 1.0 produces a physically accurate image. Other values are possible, but not physically plausible.
Secondary Engine - this list box specifies the method to be used for the secondary diffuse bounces.
None - no secondary bounces will be computed. Use this option to produce skylit images without indirect color bleeding.
Photon map - selecting this option will cause V-Ray to use a photon map for secondary diffuse bounces.
Brute force - selecting this method will cause V-Ray to use direct computation for secondary diffuse bounces. See the Brute force GI section for more information.
Light cache - this chooses the light cache as the secondary GI engine. See the Light cache section for more information.
Multiplier - this determines the effect of secondary diffuse bounces on the scene illumination. Values close to 1.0 may tend to wash out the scene, while values around 0.0 may produce a dark image. Note that the default value of 1.0 produces physically accurate results. While other values are possible, they are not physically plausible.
The options in this group allow you to limit the distance traveled by each GI ray in order to optimize and speed up the rendering.
On - enables the Ray Distance limit.
Ray Distance - specifies the maximum distance which each GI ray will travel.
You will get physically accurate lighting if you set both the primary and secondary GI multipliers to their default value of 1.0. While other values are possible, they will not produce a physically accurate result.